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WIM WENDERS
One of the most important directors on the international scene, Wenders first came to prominence with films that focused on postwar Germany and the Americanization of its culture; the rootlessness of his characters also addresses some deeper, philosophical concerns. This was certainly true of his first, critically praised feature, "The Goalie's Anxiety at the Penalty Kick" (1971), which he followed with an adaptation of "The Scarlet Letter" (1972). His three "road movies" of the 1970s : "Alice in the Cities" (1974), "Wrong Move" (1975), and the mammoth "Kings of the Road" (1976), deal with these issues and also convey Wenders' deep love of cinema and rock and roll
Wenders won worldwide acclaim for 1984's Paris, Texas the story of a drifter making peace with his turbulent past, including a son he's never known; the film earned the Palme D'Or at Cannes. Wenders then returned to Germany to direct "Wings of Desire" (1988), a fable of angels hovering over Berlin.. His most ambitious production was "Until the End of the World" (1991), a science-fiction drama shot in more than five countries and featuring an international cast led by William Hurt. Wenders has also made unconventional documentaries over the years, including the visual diary Tokyo-Ga (1985), a tribute to filmmaker Yasujiro Ozu, and "Notebook on Cities and Clothes" (1989 ). He directed a music video for U2 called "Night and Day."
Other films: "Hammett", "The American Friend", "The State of Things", "Lightning Over Water" and "The Million dollar Hotel".
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